The port of Bordeaux
(Le Port de Bordeaux)
(c. 1914)
- Medium
- oil on canvas
- Measurements
- 65.5 × 92.3 cm
- Place/s of Execution
- Paris, France
- Inscription
- inscribed in red paint u.r.: A. LHOTE.
- Accession Number
- 2009.177
- Department
- International Painting
- Credit Line
- National Gallery of Victoria, Melbourne
The Eugénie Crawford Bequest, 2009
© André Lhote/ADAGP, Paris. Licensed by Copyright Agency, Australia
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Ms Carol Grigor through Metal Manufactures Limited - Gallery location
- Late 19th & early 20th Century Paintings & Decorative Arts Gallery
Level 2, NGV International - About this work
-
The Bordeaux-born artist André Lhote painted the port of his hometown many times. Although Lhote was a member of the Parisian and Cubist-inclined Section d’Or group in 1912, his work was often regarded as too decorative by his avant-garde peers. The year in which this port scene was painted, 1914, was a pivotal moment for Cubism, as the interest in flatness first explored by Picasso, Braque, Léger and Gris began to wane. By contrast, Lhote’s interest in flatness grew, as seen here in the symphony of angular shapes and flat, unmodulated surfaces. Also notable is the painting’s ‘composition within a composition’, which relates to Lhote’s theories of the golden section. This ancient formula for subdividing a rectangle was taught by Lhote to the Australian artist Grace Crowley, who attended his popular Paris academy in the 1920s.
- Subjects (general)
- Cityscapes Marines and Seascapes
- Subjects (specific)
- boats Bordeaux (inhabited place) flat (form attributes) France (nation) ports (settlements) ships spars (watercraft components) waterfronts
- Movements
- Cubism
