With his then wife, the artist Lucia Moholy, László Moholy-Nagy moved from Budapest to Berlin in 1920. In 1923 he became a teacher at the Bauhaus school, initially co-teaching the foundation course and eventually becoming head of the metal workshop. Photography was a central focus of his practice. Having been first introduced to the medium by Lucia Moholy, Moholy-Nagy believed it was pivotal to creating a ‘new vision’ of the world, a concept in line with modernist understandings of postwar society. His work was highly experimental, and often characterised by unexpected framings and dramatic camera angles. Moholy-Nagy used photography as a means of representing the dynamism and complexity of urban culture in the 1920s.