This is one of a group of landscapes painted after André Masson settled at the Villa L’Harmas near Aix-en-Provence in October 1947. During the Second World War, which Masson saw as the destruction of the Western world by materialism, he received what he called ‘Le choc de l’essentiel’ (the clash of essentials) from Chinese painting, Zen and other Eastern philosophies. Abandoning his earlier Surrealist obsessions, Masson wrote in 1953: ‘I reveal the illimitable expansion through light, universal fusion ... A delicate sensualism makes me burst the last chains that still bind me to the spirit of weightiness … The supreme lesson of Turner and the spiritual message of Zen painting have come to me.’