In his etchings that look like drawn ‘study sheets’, Rembrandt would have rotated the plate like a sheet of paper to accommodate several unrelated drawings – here including a self-portrait, a beggar and a woman and child. In the etching we can follow the artist observing, thinking and making decisions in the act of sketching. Although Rembrandt did not sell his drawings, he sold etchings that looked like spontaneous sketches, knowing that these would appeal to connoisseurs who were interested in the artistic process.