With a meticulously staged mise en scène, Lee reveals with this self-portrait the capacity for photography to meddle with identity. Here he replicates a photographic self-portrait by Paul Foelsche (1831–1914), a German-Australian photographer whose anthropological approach to the medium saw him capture images of Lee’s ancestors. Foelsche was also the first police superintendent of the rapidly growing Palmerston precinct. Sitting as Foelsche, Lee recognises the tension between the colonial archive and his desire to celebrate Larrakia beauty.