In 1951, following a visit to Gifu and the Ozeki manufactory for traditional paper lanterns, or chōchin, Isamu Noguchi recognised the potential for creating contemporary light sculptures that could be incorporated into the domestic living environment. Noguchi’s ideas for sculpture were uninhibited by conventional boundaries and he experimented with new designs, producing his first range of lighting designs, or sculptures, the following year. He called them Akari, meaning illumination but also implying a sense of lightness.