A ceremonial woman and a battler who lived without material possessions, Nyapanyapa Yunupiŋu worked for almost a decade in the print medium before beginning to work on small sheets of bark in 2007. This suite of prints was made after a decade of painting, exposing the collaborative relationship between the two modes of making. The gestural, semi-abstracted depictions of shapes, plant-life and narrative are indicative of Yunupiŋu’s playful approach to making – a bold departure from Gumatj design typologies that had characterised art making in the past.