Conservation | NGV

Moving out of muteness—a conversation with the artist

Dianne Whittle • 10 years ago

Conservation NGV News

The wonderful world of the Charles I and Henrietta Maria raised embroidery

Kate Douglas • 10 years ago

Conservation live: the John Herbert Public Conservation Project

Michael Varcoe-Cocks • 10 years ago

Coif, early 17th century

Mary Brooks • 10 years ago

Conservation Exhibitions Fashion and Textiles NGV Collection

Exquisite Threads: English Embroidery 1600s–1900s

Paola Di Trocchio • 10 years ago

Conservation Exhibitions

New for old – reframing a 17th century painting by David Teniers II

Toby Miller • 10 years ago

Conservation NGV Collection

Reflecting on the installation of Takahiro Iwasaki’s Reflection Model (Itsukushima)

Suzi Shaw • 10 years ago

Conservation NGV Collection

X-raying Japanese armour: Exposing the secrets beneath

Suzi Shaw • 10 years ago

Conservation Exhibitions

Q: How many Conservators does it take to replace a lightglobe?

Dianne Whittle • 10 years ago

Conservation Exhibitions NGV Collection

Framing Fancies: Lely’s portrait of Sir John Rous

Holly McGowan-Jackson • 10 years ago

Conservation NGV Collection

Compressing concerns with mid-century foam upholstery

Suzi Shaw • 10 years ago

Conservation Exhibitions

Plastics in Art: David McDiarmid. Part 3: Sydney Curtain

Helen Casey • 10 years ago

Conservation Exhibitions

Plastics in Art: David McDiarmid. Part 2: Thinking of You

Sandi Mitchell • 10 years ago

Conservation Contemporary Art Exhibitions

Digital in-fill for Turtle Soup

Kate Douglas • 10 years ago

Conservation Exhibitions Fashion and Textiles NGV Collection

Plastics in Art: David McDiarmid. Part 1: Scientific Analysis.

Trude Ellingsen • 10 years ago

Conservation Contemporary Art Exhibitions NGV Collection